{"id":556,"date":"2018-07-07T10:50:00","date_gmt":"2018-07-07T09:50:00","guid":{"rendered":"http:\/\/www.ferotge.com\/?post_type=project&p=556"},"modified":"2020-08-04T17:29:57","modified_gmt":"2020-08-04T16:29:57","slug":"la-set-i-la-revolucio","status":"publish","type":"project","link":"https:\/\/www.ferotge.com\/cat\/project\/la-set-i-la-revolucio\/","title":{"rendered":"La set i la revoluci\u00f3"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.4.8″ custom_padding=”0px||0px||false|false”][et_pb_fullwidth_header title=”La set i la revoluci\u00f3” text_orientation=”center” header_scroll_down=”on” scroll_down_icon=”%%0%%” scroll_down_icon_color=”#ffffff” scroll_down_icon_size=”36px” background_overlay_color=”rgba(0,0,0,0.28)” _builder_version=”4.5.1″ subhead_font_size=”28px” background_color=”rgba(0,0,0,0)” background_image=”https:\/\/www.ferotge.com\/wp-content\/uploads\/2020\/07\/1-LA_SET_I_LA_REVOLUCIO_006-5eee.jpg” custom_padding=”120px||120px||false|false” custom_padding_tablet=”90px||90px||false|false” custom_padding_phone=”60px||60px||false|false” custom_padding_last_edited=”on|phone” title_text_shadow_style=”preset3″][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.8″ background_color=”#efede8″ custom_padding=”30px||30px||false|false”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.4.8″ hover_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.9″]

\u201cLA SET I LA REVOLUCI\u00d3\u201d
<\/strong>Co-autor i int\u00e8rpret
CIA OSSOCLUB
2018. Fest. Temporada Alta.
Fest. GREC Barcelona<\/p>\n

Dossier Premsa<\/a> (PDF)<\/p>[\/et_pb_text][et_pb_divider show_divider=”off” _builder_version=”4.5.1″ _module_preset=”default”][\/et_pb_divider][et_pb_testimonial author=”Jordi Bordas” _builder_version=”4.5.1″ _module_preset=”default”]

\u201cPreci\u00f3s, contundent, i que oxigena tan la traject\u00f2ria dels int\u00e8rprets\u00a0com el p\u00fablic que s\u2019hi pot identificar en el seu present o en el seu futur.\u201d<\/em><\/p>[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.5.1″]

OSSOCLUB<\/h3>\n

Piero Steiner, Andr\u00e9s Corchero, Pep Ramis i Enric Ases<\/strong> es coneixen des de fa temps.<\/p>\n

Cada un d\u2019ells, en solitari o en formacions com ara Mal Pelo, Raravis, o Los Los, porten anys investigant sobre noves maneres de fer, on el moviment, la paraula i els espais sonors i f\u00edsics creen paisatges d\u2019una gran pot\u00e8ncia emocional i po\u00e8tica.<\/p>\n

A la tardor del 2017 decideixen associar-se sota el nom d\u2019OSSOCLUB per posar en com\u00fa les seves particulars maneres de fer, la seva mirada sobre el teatre i l\u2019escena.<\/p>\n

Diferents disciplines i llenguatges al servei d\u2019una voluntat de s\u00edntesi, d\u2019encontre i de descoberta. Quatre homes de la mateixa edat, de la mateixa al\u00e7ada i amb un mateix objectiu: la recerca d\u2019un llenguatge com\u00fa que els permeti arribar d\u2019una manera directa a l\u2019espectador.<\/p>\n

Quatre homes units per una complicitat generacional i per l\u2019inter\u00e8s de compartir aquest particular viatge esc\u00e8nic.<\/p>\n

Mar\u00eda Mu\u00f1oz<\/strong> (Mal Pelo<\/a>) els ha acompanyat en la dramat\u00fargia i en la posada en escena.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.4.9″][et_pb_column type=”4_4″ _builder_version=”4.4.9″][et_pb_divider divider_position=”bottom” disabled_on=”on|off|off” _builder_version=”4.4.8″][\/et_pb_divider][et_pb_text _builder_version=”4.4.9″]

\n\n\t
\n\t\t
\n\t\t\t\n\t\t\t\tzom-4-(1)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\tzom-4-(2)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\tzom\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(1)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(2)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(4)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(3)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(5)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(6)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(8)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(7)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(9)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(10)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(12)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(11)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(13)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(14)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(16)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(15)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(17)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\tnoi-1\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\t1-LA_SET_I_LA_REVOLUCIO_006-(18)\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\tnoi2\n\t\t\t<\/a>\n\t\t<\/figure>\n\t\t
\n\t\t\t\n\t\t\t\tnoi3\n\t\t\t<\/a>\n\t\t<\/figure>\n\n\t<\/div> \n\t<\/span>\n<\/div>\n<\/span><\/p>[\/et_pb_text][et_pb_post_nav prev_text=”Anterior” next_text=”Seg\u00fcent” _builder_version=”4.4.9″][\/et_pb_post_nav][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

\u201cLA SET I LA REVOLUCI\u00d3\u201d Co-autor i int\u00e8rpret CIA OSSOCLUB 2018. Fest. Temporada Alta. Fest. GREC Barcelona Dossier Premsa (PDF)\u201cPreci\u00f3s, contundent, i que oxigena tan la traject\u00f2ria dels int\u00e8rprets\u00a0com el p\u00fablic que s\u2019hi pot identificar en el seu present o en el seu futur.\u201dOSSOCLUB Piero Steiner, Andr\u00e9s Corchero, Pep Ramis i Enric Ases es coneixen […]<\/p>\n","protected":false},"author":1,"featured_media":579,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[6],"project_tag":[],"class_list":["post-556","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-teatre"],"_links":{"self":[{"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/project\/556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/comments?post=556"}],"version-history":[{"count":0,"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/project\/556\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/media\/579"}],"wp:attachment":[{"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/media?parent=556"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/project_category?post=556"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.ferotge.com\/cat\/wp-json\/wp\/v2\/project_tag?post=556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}