{"id":314,"date":"2020-07-06T12:24:33","date_gmt":"2020-07-06T11:24:33","guid":{"rendered":"http:\/\/www.ferotge.com\/?page_id=314"},"modified":"2020-12-18T11:53:17","modified_gmt":"2020-12-18T11:53:17","slug":"meravelles-i-horrors-de-la-creacio-en-equip","status":"publish","type":"page","link":"https:\/\/www.ferotge.com\/en\/meravelles-i-horrors-de-la-creacio-en-equip\/","title":{"rendered":"WONDERS AND HORRORS OF TEAM CREATION"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.4.8&#8243; custom_padding=&#8221;0px||0px||false|false&#8221;][et_pb_fullwidth_header title=&#8221;\u201cMeravelles i horrors de la creaci\u00f3 en equip\u201d&#8221; subhead=&#8221;Confer\u00e8ncia&#8221; text_orientation=&#8221;center&#8221; header_scroll_down=&#8221;on&#8221; scroll_down_icon=&#8221;%%0%%&#8221; scroll_down_icon_color=&#8221;#ffffff&#8221; scroll_down_icon_size=&#8221;36px&#8221; background_overlay_color=&#8221;rgba(0,0,0,0.28)&#8221; _builder_version=&#8221;4.5.1&#8243; subhead_font_size=&#8221;30px&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; background_image=&#8221;https:\/\/www.ferotge.com\/wp-content\/uploads\/2020\/07\/artem-maltsev-0CvHQ62gwY8-unsplasheee.jpg&#8221; background_position=&#8221;top_center&#8221; custom_padding=&#8221;120px||120px||false|false&#8221; custom_padding_tablet=&#8221;90px||90px||false|false&#8221; custom_padding_phone=&#8221;60px||60px||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; title_text_shadow_style=&#8221;preset3&#8243; subhead_text_shadow_style=&#8221;preset3&#8243;][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.4.8&#8243; background_color=&#8221;#efede8&#8243; custom_padding=&#8221;30px||30px||false|false&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_gallery gallery_ids=&#8221;205,204,203&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.5.1&#8243; _module_preset=&#8221;default&#8221; auto=&#8221;on&#8221; auto_speed=&#8221;5000&#8243;][\/et_pb_gallery][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_text _builder_version=&#8221;4.5.1&#8243; custom_padding=&#8221;||0px|||&#8221;]<\/p>\n<h2>Presentaci\u00f3<\/h2>\n<p>A finals dels anys\u00a060\u00a0en l&#8217;\u00e0mbit\u00a0de l&#8217;escena internacional apareixen les primeres companyies de creaci\u00f3 col\u00b7lectiva.\u00a0S\u00f3n\u00a0formacions que renuncien a l&#8217;estructura ortodoxa caracter\u00edstica del teatre tradicional, no tan sols com un acte de ruptura art\u00edstica, sin\u00f3 tamb\u00e9 com a s\u00edmbol d&#8217;una postura pol\u00edtica que aposta per l&#8217;autogesti\u00f3 i la ren\u00fancia de qualsevol relaci\u00f3 jer\u00e0rquica o de poder.<br \/> S\u00f3n\u00a0col\u00b7lectius\u00a0que duen a terme un treball:<\/p>\n<p>-Transversal, en el qual tothom participa en els diferents \u00e0mbits.<br \/> -Sincr\u00f2nic, en tant que, sovint, les diferents etapes de creaci\u00f3 (escriptura dram\u00e0tica, assaigs, disseny de llums, vestuari i escenografia&#8230;) succeeixen al mateix temps i en el mateix espai.<br \/> -Polis\u00e8mic, ja que es promou la fricci\u00f3 entre artistes de diferents disciplines.<\/p>\n<p>Des d&#8217;aleshores, aquesta singular manera de crear s&#8217;ha convertit en un mitj\u00e0 excepcional per a la investigaci\u00f3 de nous g\u00e8neres esc\u00e8nics, originals i innovadors, utilitzant i fusionant una amplia\u00a0gamma\u00a0de llenguatges.<\/p>\n<p>En aquesta\u00a0confer\u00e8ncia\u00a0es planteja la\u00a0magnitud\u00a0del repte que representa afrontar\u00a0un treball\u00a0d&#8217;aquest tipus i quines poden ser les meravelles (o els horrors) que trobarem\u00a0pel cam\u00ed, segons com\u00a0organitzem el proc\u00e9s.<\/p>\n<p><strong>Durada entre 60\u2019 i 90\u2019<\/strong><\/p>\n<h3>Llocs on s\u2019ha impartit:<\/h3>\n<ul>\n<li>Encontre d\u2019autors franco-catalans (Perpiny\u00e0)<\/li>\n<li>Aula de Teatre de la Universitat de Lleida<\/li>\n<li>ERAM. Escola Universit\u00e0ria (Girona)<\/li>\n<li>Festival km 0. La Vilella (Barcelona)<\/li>\n<\/ul>\n<p><strong>Ponent: Enric Ases Casamitjana<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_2,1_4&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.4.8&#8243;][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_testimonial portrait_url=&#8221;https:\/\/www.ferotge.com\/wp-content\/uploads\/2020\/07\/elcirculoanimadoOOOO.jpg&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; author_font_size=&#8221;14px&#8221; position_font_size=&#8221;14px&#8221; animation_style=&#8221;slide&#8221; animation_direction=&#8221;right&#8221;]<\/p>\n<p><em>Quan els processos creatius estan al servei de les necessitats de l&#8217;ego o de la reafirmaci\u00f3 personal, el treball esdev\u00e9 feixuc i ple de confrontacions. Sovint com a artistes defensem tan apassionadament les nostres idees que acabem identificant-nos amb elles. Aquests mecanismes perversos acaben provocant tota mena de naufragis art\u00edstics, an\u00edmics i econ\u00f2mics.<\/em><\/p>\n<p>[\/et_pb_testimonial][et_pb_divider divider_position=&#8221;bottom&#8221; disabled_on=&#8221;on|off|off&#8221; _builder_version=&#8221;4.4.8&#8243;][\/et_pb_divider][et_pb_cta title=&#8221;Si necessiteu m\u00e9s info&#8230;&#8221; button_url=&#8221;https:\/\/www.ferotge.com\/ca\/contacte\/&#8221; button_text=&#8221;Contacteu&#8221; _builder_version=&#8221;4.5.1&#8243; animation_style=&#8221;slide&#8221; animation_direction=&#8221;bottom&#8221;]<\/p>\n<p>sobre els cursos i tallers<\/p>\n<p>[\/et_pb_cta][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.4.8&#8243;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the end of the 1960s, the first collective creation companies appeared on the international stage. They were formations that renounced the orthodox structure characteristic of traditional theatre, not only as an act of artistic rupture, but also as a symbol of a political stance that advocated self-management and the renunciation of any hierarchical or power relationship.<br \/>\nThey are groups that carry out work:<\/p>\n<p>-Transversal, in which everyone participates in the different areas.<br \/>\n-Synchronous, in that, often, the different stages of creation (playwriting, rehearsals, lighting design, costumes and set design...) happen at the same time and in the same space.<br \/>\n-Polysemic, since it promotes friction between artists from different artistic disciplines.<\/p>","protected":false},"author":1,"featured_media":205,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-314","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/pages\/314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/comments?post=314"}],"version-history":[{"count":0,"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/pages\/314\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/media\/205"}],"wp:attachment":[{"href":"https:\/\/www.ferotge.com\/en\/wp-json\/wp\/v2\/media?parent=314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}